Showing posts with label analog. Show all posts
Showing posts with label analog. Show all posts

Sunday, April 14, 2013

Duck Hunt pinball machine unites analog and PC in a nostalgia singularity (video)

Duck Hunt pinball machine merges analog and digital in a nostalgia singularity video


We like pinball. We like classic NES games. Accordingly, it doesn't take much deduction to know that we really, really like Skit-B Pinball's Duck Hunt pinball machine. It has a fully mechanical, themed pinball machine below, but there's also a PC up top that replicates the images and sounds of Nintendo's light gun video game in sync with the analog action. The conversion of a Williams Valiant took about a year of off-hours work to finish, and it shows -- the attention to detail is what we'd expect if Gunpei Yokoi had put all his energy into pinball instead. Our only lament is that the Duck Hunt machine is a side project, and it likely won't escape into the wild. At least there's a video (after the break) to sate our curiosity.


Via: Arcade Heroes, Destructoid


Source: Skit-B Pinball

Friday, April 12, 2013

Korg announces Volca analog synth series, we go eyes-on

Korg announces Volca analog synth series, we go eyeson


Korg's love of the mini-analog synth clearly remains strong as it's added three more new ones to the fold -- the Volca Beat, Volca Bass and Volca Keys (the clue to what they do is in the names). While some firms take a pro product and work down, making cheaper versions, Korg seems to take a different approach. It did the stripping-back thing when it launched its popular Monotron synth. Since then, it's incrementally developed it back up into a whole category of its own, the latest iteration of which we apparently see before us here. The trio of mini-synths clearly take inspiration from the Monotribe groovebox that came before them, but are a step up in terms of design. Brushed metal finishes give them a vintage, almost Stylophone feel. The Volca Bass, in particular, looks almost too much like the legendary Roland TB-303 to be coincidence, and if we didn't know better, we'd say the color scheme of the Beat echoes the TR-808. As we happened to be in Frankfurt, we couldn't resist getting out hands on them, or as you'll see past the break, at least trying to. Korg Volca series eyes-on


We really wanted to give you a proper demo of the Volca series, but Korg apparently had other ideas. Only one of each device was on display, each firmly (and understandably) fixed down to the display unit. We did manage to elbow our way through the ever present crowd and sneak in a listen though. Fear not, as Korg has provided a juicy demo video of its own, that should satisfy your urge to hear what they sound like. We did, however, get the chance to have a quick play with them and get a feel for the hardware.


First things first, these are unmistakably Korg. The look, the feel, the very idea, is almost becoming a signature of the brand. A good balance between retro authenticity, paired with modern needs (affordable, analog sound, portability) undoubtedly makes them a tempting prospect to a wide range of musicians. So it comes as no surprise that Korg might keep reinventing them. Sound-wise, it's more of the same. And again, that's no bad thing. All three devices perform their respective parts well, with that familiar crunchy, lo-fi, yet complex analog-based sound. This time, there's full MIDI support across the board, with each unit sporting a 5-pin port right up top. This said, they truly work on their own, too, with each one housing an inbuilt loop sequencer for phrase-based performance, and can be sync'd to one another. As before with the Mono-series, you can run them on batteries and there's a loud speaker to annoy impress your friends with. Volca Keys has three oscillators and 27 (albeit small) keys to thumb at. Volca Bass also has a three oscillator configuration, and takes some inspiration from Korg's Electribe range in the form of its step-sequencer. As for Volca Beat? That has a PCM engine for punchy clap and snare sounds, and a choice of parameters to allow a catalog of different drum sounds to be generated. Frankly, we were sold on them the moment we laid eyes on them, but don't take our word for it, head south for the evidence. Back already? Then the answer to your next question is June, and $149 each.



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Monday, January 28, 2013

NAMM 2013 wrap-up: Analog synths, DJ gear, loads of MIDI, mobile peripherals and more

NAMM 2013 wrapup Analog synths, DJ gear, a MIDI guitar, mobile peripherals and more


We've managed to pull through music's deafening January gathering just outside of Los Angeles with our hearing still somewhat intact. The last few days have held a wealth of DJ gear from controllers and consoles to portable units. Both Moog and Korg trotted out new analog synthesizers that look quite formidable while remaining rather affordable. As expected, a truckload of wares to outfit a mobile device arsenal were on display from Bluetooth foot controllers to dual-input audio interfaces. And as always, a few surprises crept in as well -- like a MIDI guitar and fully portable, handheld DJ solution. Head on down past the break to get caught up on the happenings that you might've missed as we look for a nice quiet room to recover for a few hours. NAMM 2013 wrap-upSee all photoswhen


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Friday, January 25, 2013

Moog Sub Phatty analog synthesizer hands-on (video)

Moog Sub Phatty handson video


A few days back, Moog teased a new synthesizer that we would come to meet properly as the Sub Phatty. Once we hit the show floor here in California, we made sure to drop by for live look. The analog unit features every bit of the fine craftsmanship that we've come to know Moog for crankin' out of its factory in the mountains of North Carolina despite the affordable $1,100 price tag. Sub Phatty keeps with the classic snyth aesthetic and Moog design trademarks including soft-touch coated side panels -- a staple of the Phatty line -- and knobs that look and feel prime for extreme mileage. Aside from a dapper exterior, the big draw here is the new Multidrive tech that graces the control panel and inner workings of the device. We could give a detailed textual explanation of said feature, but we'll let Amos Gaynes, product development specialist at Moog, do all of the chatting in the video that follows after the break. Speaking of the jump, you'll find an audio sample taken straight off of the Sub Phatty's frontside here at NAMM 2013.Moog Sub Phatty analog synthesizer hands-onSee all photoswhen.eng("eng.galleries.init")





James Trew contributed to this report.


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